Skip to main content

Polanyi and Tolstoy on Emotion and Truth

A current area of increasing interest and usefulness for me, personally and professionally, is the role emotions play in our perception of and ability to encounter reality and relationships. In my reading this week I came across two quotes from very different authors in very different books that both give expression to the reality distorting potential of emotion. (I think there is also a reality revealing potential to emotion but that is for another time) And then I found another good one as a searched for a source for the Tolstoy quote. Suffice to say I am increasingly convinced that theology, epistemology, pastoral praxis and even exegesis that doesn't take a full (and yes I mean more than cursory) appreciation of emotional factors is only doing half the job. Let me know what you think. :-)


I know that most men, including those at ease with problems of the greatest complexity, can seldom accept even the simplest and most obvious truth if it be such as would oblige them to admit the falsity of conclusions which they have delighted in explaining to colleagues, which they have proudly taught to others, and which they have woven, thread by thread, into the fabric of their lives.
Leo Tolstoy, What is Art? opening to ch 14, 
Translation from: What Is Art and Essays on Art 
(OUP, 1930, trans. Aylmer Maude)
This is the characteristic structure of what I shall call a dynamo-objective coupling. Alleged scientific assertions, which are accepted as such because they satisfy moral passions, will excite these passions further, and thus lend increased convincing power to the scientific affirmations in question - and so on, indefinitely. Moreover, such a dynamo-objective coupling is also potent in its own defence. any criticism of its scientific part is rebutted by the moral passions behind it, while any moral objectives are coldly brushed aside by invoking the inexorable verdict of its scientific findings. Each of the two components, the dynamic and the objective, takes it in turn to draw attention away from the other when it is under attack.
Polanyi, Personal Knowledge, pp229-230

The way scientists try to convince people is hopeless because they present evidence, figures, tables, arguments, and so on. But that’s not how to convince people. People aren’t convinced by arguments, they don’t believe conclusions because they believe in the arguments that they read in favour of them. They’re convinced because they read or hear the conclusions from people they trust. You trust someone and you believe what they say. That’s how ideas are communicated. The arguments come later.


Comments

Popular posts from this blog

That one time Jesus got the Bible wrong

It's so typical isn't it? You are preaching all day long, training your disciples, sparring with the Pharisees, encouraging the poor and down trodden, healing the sick and casting out demons, all day, day after day, and even when you go up a mountain to get a rest the crowds hunt you down and follow you up, and then the one time you get a bit muddled up with some of the details of a biblical text . . . that is the one they write down in the first gospel - verbatim. At least Matthew and Luke had the good sense to do some editing. But Mark, he always had his eye on giving the public the "historical Jesus" whoever that is supposed to be . . . warts and all. Thanks a lot Mark!

Some think I made the mistake on purpose, just to show the Pharisees up.

For some there is no mistake worth mentioning, only a slightly ambiguous turn of phrase.

Others think I am doing something tricky with Abiathar's name, getting him to figuratively stand in for the priesthood.

It really has…

Thor Ragnarok and Parihaka: Postcolonial Apocalypse

Thor: Ragnarok is a riot of colour, sound, violence, humour, sci-fi and fantasy. As a piece of entertainment it is the best Marvel has produced so far. As in many of Taika Waititi's films the plot often seems secondary to the humour and a number of quirky moments seemed only to serve for a quick giggle. I left the theatre overwhelmed by the sensory experience, but ultimately unimpressed by any deeper meaning.

It wasn't until the second morning after my trip to the movies that I woke to the realisation that the movie could function as a profound postcolonial metaphor (I do some of my best thinking while alseep, also it can take me a while for the penny to drop). Unfortunately a quick google showed me that I was neither the first, nor the second to have this thought.

[Spoiler Alert!]

It's easy to miss with all the other stuff going on but Thor undergoes a postcolonial awakening during the film as he slowly realises that his beloved Asgard and its dominion of the nine realms …

Dale Martin does Mark

Dale Martin is an important and frequently controversial NT scholar. Those of us who can't make it to Yale to hear him teach can access some of his lectures, in fact his entire introduction to the NT course, through the magic of the internet.

Here he is holding forth on Mark . . .